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If viewers, inspired by watching television, were inspired to buy a Taj Mahal album and picked this one up because of the tie-in, they would get a good selection of the highlights of his early work. But it had only been three years since Columbia/Legacy released the 17-track The Best of Taj Mahal, which shares many of the same tracks, and that album was still in print when this one was released. There's nothing wrong with the material, drawn largely from albums such as Taj Mahal, The Natch'l Blues, and Giant Steps/De Ole Folks at Home. In each of the seven episodes, a different director explores a stage in the development of the blues.
Pbs martin scorsese presents the blues series#
So, with Martin Scorsese overseeing a series of films for PBS with the overall name The Blues in 2003, much the same sort of campaign was launched, and this 15-track compilation of Taj Mahal's work from the late '60s to the mid-'70s was part of it. Martin Scorsese Presents The BLUES: A Musical Journey released SeptemThe BLUES is a 2003 documentary film series produced by Martin Scorsese, dedicated to the history of blues music. Naturally, with one of those rare tracks out of circulation, used copies go for big bucks.When the Ken Burns' documentary series Jazz premiered on PBS in 2001, a series of artist compilations were released using the series as a brand name, and they sold quite well.
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Its out-of-print status today suggests that even the Estate doesn’t consider it part of the canon. Unfortunately, it had already been done, and better, making it less a loving portrait than a grab for cash. Slightly more interesting is “Blue Window”, where he’s backed by the Buddy Miles Express for 13 minutes, horns and all.Īs many of the tracks feature Jimi playing alongside people other than the Experience or the Band of Gypsys, the album does succeed in presenting another side of him. “Georgia Blues” is a something of a rewrite of “Stormy Monday”, featuring Lonnie Youngblood on sax and lead vocals, in an uncanny similarity to Bob Seger. That leaves exactly two songs not officially released before. Three songs are repeated from the box set of only three years earlier, including a smoking take of “Hear My Train A-Comin’” with the Experience. Martin Scorsese Presents The Blues: Jimi Hendrix should not be considered definitive in the least while it only overlaps a few song titles with that well-done 1994 set, it’s not exactly illuminating.įive of the tracks could be considered standard-the Smash Hits version of “Red House”, “Come On” and the long “Voodoo Chile” from Electric Ladyland, the execrable “My Friend” from Cry Of Love and later First Rays Of The New Rising Sun, and “Midnight Lightning”, which closes South Saturn Delta. But the estate heard cash registers, so they dove in with another set. If anything, it opened the opportunities for a flood of companion CDs covering famous and forgotten bluesmen, the likes of which hadn’t been seen since Sony rediscovered Robert Johnson in 1990.Ī well-sequenced and equally well-received compilation dedicated to the blues side of Jimi Hendrix had already been out for ten years. A couple of years before stamping his name on documentaries about Bob Dylan and George Harrison, director Martin Scorsese tried to one-up Ken Burns with a PBS series on the blues.